press
release
Over the last two and a half years, the audience, musicians, and promoters have started evaluating concerts based on several, not entirely usual, criteria.
In first place (yes!) is still how the band plays, how Andrii Khlyvnyuk sings, whether the band still has that rock-n-roll magic, or if it’s time for the scrapyard. Equally important is what Andrii says from the stage. And believe me, he doesn't mince his words. Fans of "Vahteram" had better stay home—don't say you weren't warned later. A crucial point is how much money the band brings back, what it is spent on, and how it is reported. And perhaps the hardest part, which the general public doesn't see, is how not to bankrupt the audience with ticket prices, allow the promoter to earn a living, and not make the musicians look like a bunch of fools dreaming of hanging out on the beach instead of serving and working.
Let's assume you persuaded Khlyvnyuk to write a report for unpaid leave (no more than once every 3-4 months), bought "Sych" drones, Mavics, FPVs, Starlinks, generators, and other gear worth 140,000 euros from the previous tour, and agreed and renegotiated the next stage of the Drone Tour. Who are you? You are a legend. Just like our tour director, the sorcerer from Rusanivka, Vova Hawaiets. It was he who carefully selected the cities for the Boombox spring tour. We will cover eight countries, play 14 concerts (maybe more), and all of this between March and April. A lot depends on how you buy tickets, believe me. And it's not about a new car for the producer, but about the requests from the boys and girls holding back the enemy. It feels a bit strange to write about what will be at the tour concerts after saying all that, but okay, catch this: there will be "Фіртка", "Калина", "Наодинці", "Квіти в волоссі", "Поліна", "Правда", "Твій на 100%", "Тримай мене" and another 12-14 songs. And an auction. And merch. It makes one jealous. Please come.
Over the last two and a half years, the audience, musicians, and promoters have started evaluating concerts based on several, not entirely usual, criteria.
In first place (yes!) is still how the band plays, how Andrii Khlyvnyuk sings, whether the band still has that rock-n-roll magic, or if it’s time for the scrapyard. Equally important is what Andrii says from the stage. And believe me, he doesn't mince his words. Fans of "Vahteram" had better stay home—don't say you weren't warned later. A crucial point is how much money the band brings back, what it is spent on, and how it is reported. And perhaps the hardest part, which the general public doesn't see, is how not to bankrupt the audience with ticket prices, allow the promoter to earn a living, and not make the musicians look like a bunch of fools dreaming of hanging out on the beach instead of serving and working.
Let's assume you persuaded Khlyvnyuk to write a report for unpaid leave (no more than once every 3-4 months), bought "Sych" drones, Mavics, FPVs, Starlinks, generators, and other gear worth 140,000 euros from the previous tour, and agreed and renegotiated the next stage of the Drone Tour. Who are you? You are a legend. Just like our tour director, the sorcerer from Rusanivka, Vova Hawaiets. It was he who carefully selected the cities for the Boombox spring tour. We will cover eight countries, play 14 concerts (maybe more), and all of this between March and April. A lot depends on how you buy tickets, believe me. And it's not about a new car for the producer, but about the requests from the boys and girls holding back the enemy. It feels a bit strange to write about what will be at the tour concerts after saying all that, but okay, catch this: there will be "Фіртка", "Калина", "Наодинці", "Квіти в волоссі", "Поліна", "Правда", "Твій на 100%", "Тримай мене" and another 12-14 songs. And an auction. And merch. It makes one jealous. Please come.
